Studio Ghibli vs. Disney Pixar

There is no doubt in my mind that Studio Ghibli has produced some of the best animation films the world has seen since its inception in 1985. However, despite all the achievements of creative geniuses including Miyazaki and Takahata, it would be wrong to say that they are the only ones producing such exceptional animation features. Pixar Animation Studios, a subsidiary of the Walt Disney Company, began its road to success in 1995 with the release of Toy Story. Since then, Pixar has won a multitude of awards; its films highly regarded amongst both critics and the public. But are Pixar films really better than Ghibli ones? Or is it the other way around? Read on to find out!
 

Image Source

Visual Style

Let’s start with one of the most obvious differences: the animation style of the two studios. Ghibli films are produced primarily using traditional animation techniques, whilst Pixar makes use of CGI (Computer Generated Imagery). So what does this mean for the look of the films? The difference goes beyond Ghibli films being 2D and Pixar’s 3D. Each and every frame in Ghibli films is drawn by hand, and the smallest details (such as a flower in the background) are never overlooked. Knowing this makes us appreciate their films even more, as each feature is a work of art. Pixar, focused on delivering high quality animations using the latest CGI technologies, lacks some of this attention to detail. Whilst both studios have very different visual styles, they are both of an exceptionally high standard.

Studio Ghibli
Image Source

Story

Both Studio Ghibli and Pixar films are highly unique and imaginative. However, Ghibli movies have more varied stories, many drawing ideas from folklore and mythology. The Japanese film studio also understands that often simple is best, with many of their films having no life-threatening scenarios leaving viewers on the edge of their seat. (There are exceptions of course.) Often the beauty of Ghibli films arises from their simplicity and artistic merits. Studio Ghibli also doesn’t do sequels. Cars 2, Monsters University, Finding Dory... It’s almost as though Pixar has run out of ideas!

Disney Pixar
Image Source

Emotion

Clearly if both studios can produce great stories, it must mean they stir the audience emotionally as well. Let’s face it, Studio Ghibli’s Grave of the Fireflies would make even the strongest of people shed a few tears. But even Ghibli cannot compare to the heartbreaking opening scenes of Pixar’s Up and the loneliness of Wall-E as he roams around on an abandoned Earth. And the clever visual jokes present throughout Pixar films are not to be forgotten either.

Wall-E
Image Source

And the winner is...

Both! Yeah I know, you’re probably thinking what a disappointing and indecisive conclusion this is. But, as you’ve probably noticed, this is a blog all about Studio Ghibli, and I’m not going to pretend our view on this isn't just a little bit biased. The truth is, it’s all up to your own individual tastes and there is no right or wrong answer. No matter which animation studio you prefer, both produce extraordinary films with visually stunning animation and stories that captivate all audiences.

But hey, who says you have to choose between the two? WHY NOT HAVE BOTH? If you take a look at the picture below, you’ll see Mei from My Neighbor Totoro. She looks a tad different though, doesn’t she? This is what she would probably look like if Studio Ghibli decided to adopt 3D CGI animation like Pixar. Have a look at the article, If Studio Ghibli Made Pixar Films, They’d Look Like This, it’s definitely worth checking out!

 

References:

• Wikipedia – Studio Ghibli and Pixar

• HubPages – Studio Ghibli vs. Pixar: A comparison

• Time Out – Studio Ghibli Vs Disney Pixar: an animated debate

• Yahoo Movies – What Disney Could Learn From Studio Ghibli

 Post by Chloe

The Roles of Men in Studio Ghibli Productions

What is the meaning of the role of man in Ghibli. Is that what you think? Yes, you are correct here are some of male characters which we have ranked.

1. Ashitaka, Princess Mononoke

2. Haku, Spirited away

3. No Face, Spirited Away

I put Ashitaka as first because I think he is the coolest guy in the film, he doesn't speak much he use action to show what is the importance of doing it which of his strong sense of justice. On his role he is the young leader of Emishi village and independent which in the film that he start the journey to cure his curse it has clearly describe that what sort of environment that he face on ,he is willing to face it and does not have fear to the death.

Haku I put second is because I felt he is a gentleman in the film which he helps Sen to solve her problem and encourage her which initially shown most kind-hearted, caring and compassionate In Yubaba's presence however, Haku changes from a kind-hearted person to a stoic, cold and strictly professional individual, treating everyone (including Chihiro) with sternness so as not to arouse suspicion in Yubaba. In Haku's role he is competent character as like a outstanding man which can rely on.

No Face (Kaonashiotoko) in spirited away, I personally like this character is because it has clearly describe the original sin we have. We can look at the different traits of No Face and break down the different representations behind his mask. No Face with his white mask black body as we can imagine he is loner in the movie which can represent the people that are unaccepted in society in the society we lived on. He can also represent the greed and vanity in the movie because of loneliness since he originally had no one to confide in or got to he learns use gold to lure bath house workers to fulfil his vanity. But because of Sen, No Face become a innocent personality. This clearly describe we have to have wisdom to choose what we want to be and what right and wrong also have kind heart to accept other peoples mistakes.


Post by Rex

Review of Princess Mononoke

Background

Princess Mononoke (もののけ姫) is a 1997 Japanese animated epic historical fantasy film written by Hayao Miyazaki. The Mononoke is not a name but in Japanese as noun is call spirit, monster or ghost. This Princess Mononoke is mostly hand drawn with incorporates some use of computer animation. Miyazaki did not want to create an accurate history of Japan, he set the Muromachi period with symbolic of three proto-Japanese races the Jomon, Yamato and Emishi as we can tell from the costume and hairstyle. This Film was produced with an estimated budget of 2.35 billion, also won the Best Picture in the Japan Academy Prize.

Plot

In Muromachi Period Japan, there is a Emishi village is attacked while the Emishi prince Ashitaka manages to kill the demonic wild boar before it reaches his village. Ashitaka receives a fatal infection after his kills the boar which the curse gives him superhuman fighting ability (like Heracles) but eventually it will kill him when his has hate in his heart or anger. The demonic wild boar is revealed to be a boar god Nago corrupted by an iron ball lodged in his body. The village oracle tells Ashitaka that he may find a cure in the wester lands where Nago came from, which is Ashitaka journey begin.

Ashitaka meets Jiko a wandering monk tells that he might find help from the great Forest Spirit the Deer god looks like Kirin creature in the day and a giant nightwalker in night. Along the way, he sees the rape of the Earth by an iron town village. The constant plundering by the village has brought the wrath of the Wolf God, Moro, who attacks the village along with San, a human girl who was raised by the wolf god. She communicates with the nature spirits, which is why she is called Princess Mononoke. Ashitaka wants these opposing forces to co-exist, and he hopes to bring peace between San and the Iron town owner, Lady Eboshi. However, the blind boar-god Okkotonushi from Chinzai (Kyuusyu) led large of his minion to attack iron town to save the forest. Eboshi prepares for battle and sets out to kill the Forest Spirit. Jiko, revealed to be a mercenary also a member of a mysterious organization call Shishou Ren, intends to give the god's head to the Emperor of Japan in return for protection from local Daimyos. According to legend, the severed head of the Forest Spirit can grant immortality.

Eboshi beheads the Forest Spirit during its transformation into the Nightwalker; corruption pours from its body, killing any living being it touches as it searches for its head, which Jigo has taken with him. Ashitaka and San follow Jigo to near Iron town, where they manage to return the god's head. Restored, the Forest Spirit falls into the lake, healing the land, and cures Ashitaka and San of the curse. Ashitaka means much to San but she still hates humans for their actions and decides to remain in the forest. Ashitaka chooses to help rebuild iron town, but tells San he will visit her in the forest.

Characters

Ashitaka

He is one of the few young men in Emishi village and a leader, who had been defeated by the Japanese emperor’s government and now lives in hiding at the end of northern land. He talks little but has a nobleness of royal blood and has strong sense of justice. To defend his village, he shot and killed Nago during the battle he got a curse of his arm which makes his journey begin.

San (Princess of Mononoke)

A girl who was raised by a wolf god in the forest, she has an intense hatred against human who invade the forest with strange mask on her face, and riding a huge wolf.

Eboshi Gozen

A calm and well-composed woman who leads the iron town in deep mountain. They cut trees, melt iron, strike iron and make ishibiya (gun). She gives them work and treats even from the society as human, and is respected and loved by both men and women.

Jiko Bou

A monk also a member of a Mysterious organization which call Shishou Ren. Under the order of Emperor of Japan to get the head of the Deer god, which said to have a power of eternal of living. He is the one who told Ashitaka about the forest of the deer god.

Nago

A boar god, who was shot by Eboshi Gozen when she attacks the mountain and build the iron town. He was injured and anger which became demonic covered with worms.

Moro no Kimi

A 300 year old female Wolf God. She understands human language, and has high intelligence and strong power. She raised San and treats her as her daughter. She hates humans who invade the forest of the Deer god.

Okkotonushi

Boar god from Chinzai of Kyuusyu, he can understand human language. He is 500 years old and the oldest of the Boar Gods, he commands the large amount of boar to against humans.

Shishi Gami (Deer god)

A god animal who conducts the giving and taking of life. It is believed that its head has the power of eternal living, so humans are try to get it. Also its an sign of flourishing of forest.

Review

Princess Mononoke begins with a young man named Ashitaka encountering a hideous boar covered in writhing worms. The boar is on a rampage and threatens several members of his village. Ashitaka bravely battles the boar and successfully kills it, even though he is wounded in the process. Ashitaka now bears its with the curse of wound. He is forced to leave his village to look for a way to free himself from the curse and hopefully discover why the boar had become a demon. Therefore the story seems like a simple tale of humankind versus nature, there are many layers in the story. Lady Eboshi, the ruler of Iron town and person most responsible for the destruction of the forest also make Ashitaka village under attack by Nago, she is quite compassionate when it comes to other humans. She gives them a place a work and live. There's also Jigo, who, while being quite self-centered, still exhibits very human traits and even helps out Ashitaka in the early goings. And, of course, San, whose relentless drive to protect the forest leads her into deadly conflict with the humans. Yet, while she is an enemy of the humans, her intent is merely to save her own homeland. Out of track, I feel that the San is more like a century we lived on that some people facing the problem like I born in this country but my nationality background is different, more like culture impact.

The story can be reflect to the environments we lived on which because of desire we are destroying the natural. This movie makes us to think deeply. Studio Ghibli has truly created a interest plot and wondrous work in Princess Mononoke. Multiple conflicts abound with humans against nature, humans against humans and even nature against itself.

References

Ghibli Wiki

Google image

Online Ghibli

Post By Rex

Profile of Hayao Miyazaki

Hayao Miyazaki (宮崎 駿) was born in Bunkyo, Tokyo, on January 5th, 1941. Through a fifty year career as a film director, producer, and screenwriter, animator, and manga artist Miyazaki has become one of the most esteemed artists in film on an international scale.

Career

Miyzaki was involved in many of the early classics of anime as he started his career in 1963 as an animator at the studio Toei Dōga. From the beginning, he commanded attention with his incredible ability to draw, and the seemingly-endless stream of movie ideas he proposed. In 1971, he moved to A Pro with Isao Takahata, then to Nippon Animation in 1973, where he was heavily involved in the World Masterpiece Theater TV animation series for the next five years. In 1978, he directed his first TV series, Conan, The Boy in Future, then moved to Tokyo Movie Shinsha in 1979 to direct his first movie, the classic Lupin III: The Castle of Cagliostro.

Works

Throughout his career Miyzaki has been involved in the production of over fifty works including feature-length films, television series and manga. Of Studio Ghibli's twenty-some films, Miyazaki has either directed or co-directed ten!


'The Wind is Rising' (Kaze Tachinu/風立ちぬ) is a Studio Ghibli film currently in production and set to be released 20th July 2013. It will be the first film Miyazaki has directed in five years.

The Wind Rising promotional image.

Achievements

Miyzaki has earned a multitude of achievements for his work; since 1980, he has been either nominated for or won close to one hundred awards!

Influences

The majority of the recurring themes found in Ghibli films are consequence of Miyzaki's personal and artistic influences. From early childhood Miyazaki was fascinated by drawing models of aeroplanes. This obsession with aircraft and flight (especially human flight e.g Nausicaa and the Valley of the Wind) has continued throughout his life and influenced his career. He sees flight as a form of liberation from gravity and thus the theme of motif has appeared in the majority of his works in some incarnation or another.



References:

Hayao Miyazaki Brief Biography
Ghibli Wiki Miyazaki Entry
Anime News Network Miyzaki Profile




Post by Alia

The Studio Ghibli Basics!

Hand-painted watercolour background featured in Howl's Moving Castle, 2004

 The Basics

Studio Ghibli is a Japanese film studio that produces feature-length and short animated (or ‘anime’ – the animation style exclusive to Japan) films. These films are known for their unique hand-drawn style and vibrant palate and instantly recognisable. It is not only their visual style that makes these masterpieces so recognisable, but their adventurous and intricate plots – which on surface level may be taken as children’s stories, where in reality these heart-felt tales often have a much more complex and contain a deeper message!

Conception

The Tokyo-based studio was established in 1985 by producer Suzuki Toshio, and directors Takahata Isao and Miyazaki Hayao – each of whom prior to the studio’s founding held prominent careers in publishing, television and animation. The studio was conceived after the release of Miyazaki’s Nausicaa of the Valley of the Wind in 1984, a feature-length film which a gained favourable reception and success in Japan and thus was released the subsequent year in America (where unfortunately in underwent not only a title change, but heavy editing/‘Americanisation’).

In 1986, Studio Ghibli released its first film to success among Japanese audiences; Laputa: Castle in the Sky - written and directed by Miyazaki. However, it was not until the studio’s second release 1988, Grave of the Fireflies, (this time written/directed by Takahata) did they gain recognition abroad. Released in the same year, once more Miyazaki took the director’s role for My Neighbour Totoro, which remains as one of the studio’s most iconic productions (literally - Totoro being the symbol/company logo of Studio Ghibli).

Critical Acclaim

From their founding to present day, Studio Ghibli has earned a multitude of awards and achievements for their productions, the most prominent of which including: the 2003 75th Academy Awards Best Animated Feature for Spirited Away, the 2005 Tokyo Anime Awards Best Director, Best Voice Actor/Actress, Best Music for Howl’s Moving Castle, the 2009 Japanese Academy Award Best Animated Film for Ponyo.

What You Might Not Know… In regards to the studio’s name; Miyazaki, a noted aircraft enthusiast chose ‘Ghibli’ as it is is derived from the Arabic name for the Mediterranean wind (sirocco) or ‘hot wind blowing through the Sahara Desert’, used for Italian scouting planes during World War. The notion behind being the studio would "blow a new wind through the anime industry".

 References:

All You Need to Know About Studio Ghibli

Studio Ghibli: A Brief History 

10 Years of Studio Ghibli

Studio Ghibli: A Potted Film History Of Japan’s Animation Favorite

Post by Alia

Behind the Scenes at Studio Ghibli

Whether you’re watching Nausicaä or Totoro, Studio Ghibli never fails to impress. We are transported to fantasy worlds taking us back to our childhood, introduced to characters that capture our hearts and immersed in stories told to us through stunning, hand-drawn animations. So how do they do it? Let’s take a look behind the scenes at Japan’s top animation studio.

Traditional Hand-drawn Animation vs. CGI

The majority of Studio Ghibli films are made using traditional animation techniques. So what does this mean? EVERY SINGLE FRAME is hand-drawn by animators, before being put together to give the illusion of movement and create the film. This is a very repetitive and time-consuming process but the studio’s co-founder Hayao Miyazaki believes that “hand drawing on paper is the fundamental of animation”.

Despite Miyazaki’s preferred choice being hand-drawn animation, CGI (Computer Generated Imagery) has been used in several Studio Ghibli films. CGI can help animators with scenes that would otherwise be overly complicated to create using traditional animation techniques. In Princess Mononoke, digital paint was used to speed up the process and finish the film on time. My Neighbors the Yamadas is the only Studio Ghibli film to be entirely made using computer animation.

Delivering to Deadline

Everybody knows that things always take longer than expected. And making films at Studio Ghibli is no exception. Since each frame is hand-drawn, and thousands of frames are needed to create a feature film, the whole process takes a lot of time. The progress of each section is mapped out on a chart to estimate when the film will be completed and delays are not uncommon. In this case, each staff member is assessed and pushed to complete their work faster. Often new employees need to be hired towards the end of production to ensure that the film is completed on time.

Animators have to work long, exhausting hours, often working until after midnight in the final months. They can spend over a year drawing at the same desks! Animators must work efficiently whilst at the same time being very observant and paying attention to every detail in their drawings. It’s a tough job but this balance between speed and quality is essential so that Studio Ghibli can continue to deliver the highest quality films...On time.

From Script to Screen

Ok so we’ve established two things: that Studio Ghibli films are generally hand-drawn and that they take A LOT of time and effort to complete. But how do the directors get their ideas from script to screen? Find out by checking out the step-by-step process below.

Note: The following steps and accompanying images are taken from the ‘Making of Only Yesterday Featurette’. Although the film was made in 1991, many of the techniques used then are still used by Studio Ghibli today.

Like other films, all Studio Ghibli creations start off as an idea. This idea is then developed into a script outlining the story – including all scenes and dialogue – so that all members of the team are (quite literally) on the same page.

Next, the characters and their costumes need to be worked out. The way the characters dress is used to reveal their personality and place in society, as well as the time period the film is set in.

A storyboard is created from the script. It is to be used as a foundation for all the drawings, illustrating the key frames and basic movements of the film.

Each scene must be sketched out, frame by frame, so that when put together the pictures will move. After this, the drawings are put on carbon sheets before being burnt onto transparent cells.

It’s time to add some colour! After the colour scheme is determined, colours are hand painted onto the cells using watercolours. By using different tones for objects in front of and behind the characters, the image is given extra depth.

Let’s not forget the backgrounds! They are drawn separately from the characters.

The cells are now placed onto their corresponding background and each frame is shot individually. Yes, all this is for just ONE FRAME of the film! But the hard work isn’t over just yet.

The film now needs some dialogue, which can be recorded either before or after the drawings. In this case, the voices were pre-recorded. Animators then watched the video recording of the actors and focused on their facial muscle movements so that they could replicate them in their drawings.

The director has the very time-consuming task of making sure that the images and dialogue are perfectly in sync. The timing is very precise, particularly the dialogue which needs to match the characters’ faces. No one likes a badly-dubbed movie!

There’s still more audio to be recorded. As well as sound effects and background noises, the theme music needs to be created. In this case, there are 28 live musicians in the studio.

The developed film is edited with the cinematic film which contains the audio recordings. These days of course everything is digital!

The film is now ready to be screened to all of the crew members! Months of hard work have led up to this moment. The animators anxiously wait for their cut to appear on screen whilst the director watches their vision finally come to life.

And there you have it! The film is now ready to be distributed to the general public, who, like you and me, can’t wait to discover the latest Ghibli masterpiece.

References:

• Making of Only Yesterday Featurette
• YouTube – Behind The Scenes Of "Spirited Away" Part 1 and Part 2
• GhibliWiki – Ghibli 101: Past, Present, and Future of Studio Ghibli
• GhibliWorld – An Interview With Studio Ghibli's Kosaka Kitaro
• Wikipedia – Hayao Miyazaki
• Yahoo Movies – What Disney Could Learn From Studio Ghibli
• Nenuno Creative – Studio Ghibli, 25 Years Of Creative Inspiration

Post by Chloe